From Classical Repertoire to Piano Accompaniment: Development of a Learning Model Based on the needs of the Music Industry

Authors

  • Olan Yogha Pratama Department Sendratasik /Faculty Language and Arts, Padang State University, Padang, Indonesia
  • Firnando Sabetra Department Sendratasik /Faculty Language and Arts, Padang State University, Padang, Indonesia
  • Alrizka Hairi Dilfa Department Sendratasik /Faculty Language and Arts, Padang State University, Padang, Indonesia
  • Ahmad Fauzan Yusman Department Sendratasik /Faculty Language and Arts, Padang State University, Padang, Indonesia
  • Ayuthia Mayang sari Department Sendratasik /Faculty Language and Arts, Padang State University, Padang, Indonesia

Keywords:

Piano accompaniment, music industry, music education, Action Research, Accompaniment Piano, Popular Music.

Abstract

Formal music education in college, especially for piano majors, has emphasized classical repertoire and profound solo playing techniques. However, previous graduate evaluations show that many have difficulty adjusting to the demands of the popular music industry, which demands more flexibility in piano accompaniment, improvisation, and harmony. This research aims to practice the piano accompaniment learning model in grade 3 of the current major. Action research is the methodology used, and a descriptive qualitative approach is needed using document analysis, observation, and interviews. The findings of this study are expected to help music education institutions better understand their students’ business demands and professional requirements after graduation.

References

Andriyanto, R. A., & Annisa, A. A. (2023). Kewirausahaan dalam Bidang Pendidikan Musik (D. N. Saputra (ed.)). Azka Pustaka. https://books.google.co.id/books?id=GRHwEAAAQBAJ&printsec=frontcover

Baker, S., Strong, C., Istvandity, L., & Cantillon, Z. (2018). The Routledge Companion to Popular Music History and Heritage. The Routledge Companion to Popular Music History and Heritage, 2015, 1–416. https://doi.org/10.4324/9781315299310

Bennett, A. (2008). Towards a cultural sociology of popular music. Journal of Sociology, 44(4), 419–432. https://doi.org/10.1177/1440783308097130

Chiu, S. C., & Chen, M. S. (2012). A study on difficulty level recognition of piano sheet music. Proceedings - 2012 IEEE International Symposium on Multimedia, ISM 2012, 17–23. https://doi.org/10.1109/ISM.2012.11

Elliott, J. (1991). Action research for educational change. In Developing teachers and teaching (pp. x, 163 p.). Open University Press Milton Keybes Philadelphia. https://books.google.co.id/books?hl=en&lr=&id=faDnAAAAQBAJ&oi=fnd&pg=PP1&dq=Elliot+action+research&ots=r4OSL-wgO6&sig=mSdHgQvJY10EKXsObGDt8Q0msEo&redir_esc=y#v=onepage&q=Elliot action research&f=false

Green, L. (2002). I. Exposing the gendered discourse of music education. In Feminism and Psychology (Vol. 12, Issue 2, pp. 137–144). Sage Publications. https://doi.org/10.1177/0959353502012002003

Hallam, S., & Bautista, A. (2018). Processes of Instrumental Learning: The Development of Musical Expertise. The Oxford Handbook of Music Education, Volume 1, June 2018, 657–676. https://doi.org/10.1093/oxfordhb/9780199730810.013.0040_update_001

HAN, X., & CHEN, T. (2017). The Role of Piano Accompaniment in Singing Songs. DEStech Transactions on Social Science, Education and Human Science, aetms, 294–297. https://doi.org/10.12783/dtssehs/aetms2017/15885

Harrison, P. M. C., & Pearce, M. T. (2019). Running head: A COMPUTATIONAL MODEL OF CHORD VOICING 1 A Computational Model for the Analysis and Generation of Chord Voicings. 44(61), 2–3.

Johnson, C. (2022). A Framework for Teaching Music Online. By Carol Johnson. Bloomsbury Academic. Canadian Journal of Learning and Technology, 49(2), 1–5. https://doi.org/10.21432/cjlt28532

Jorgensen. (2009). Re fl ections on a Journey in Music Education. The Mountain Lake Reader, 2009. https://www.proquest.com/openview/f7a6ad3a25ab04c69f7418a692c01e73/1?pq-origsite=gscholar&cbl=28507

Kemmis & McTaggart. (2002). The Concept of Action Research. Emerald, 7.

Lebler, D., & Weston, D. (2015). Staying in sync: Keeping popular music pedagogy relevant to an evolving music industry. IASPM Journal, 5(1), 124–138. https://doi.org/10.5429/2079-3871(2015)v5i1.8en

Lee, K. H., Na, G., Song, C. G., & Jung, H. Y. (2020). How does pedagogical flexibility in curriculum use promote mathematical flexibility? An exploratory case study. Mathematics, 8(11), 1–26. https://doi.org/10.3390/math8111987

Lenaini, I. (2021). Teknik Pengambilan Sampel Purposive Dan Snowball Sampling. HISTORIS: Jurnal Kajian, Penelitian & Pengembangan Pendidikan Sejarah, 6(1), 33–39. http://journal.ummat.ac.id/index.php/historis

Leong, S. (2012). Navigating the emerging futures in music education. Journal of Music, Technology and Education, 4(2–3), 233–243. https://doi.org/10.1386/jmte.4.2-3.233_1

Lubna, L. (2014). Isu-Isu Pendidikan Di Indonesia: Inovasi Kurikulum Dan Peningkatan Profesionalitas Guru. Society, 5(2), 15–25. https://doi.org/10.20414/society.v5i2.1455

Munirah. (2015). Education System in Indonesia: between desire and reality. Auladuna, 2(2), 233–245.

Regelski, T. (2023). Curriculum Traditions, Music Education, and the Praxial Alternative. Topics for Music Education Praxis, 1–45. https://doi.org/10.22176/topics2018.01.1

Sari, A. M., Ferdian, R., Yogha, O., Effendi, N., & Wulan, B. (2024). Interactive E-Modules for Arts Education : Improving Comprehension and Engagement in Nusantara Music Courses. 12(2), 346–354.

Scharff, C. (2017). Gender, Subjectivity, and Cultural Work: The Classical Music Profession. Routledge. https://doi.org/https://doi.org/10.4324/9781315673080

Scott, J. T. (1998). The Harmony Between Rousseau’s Musical Theory and his Philosophy. Journal of the History of Ideas, 59(2), 287–308.

Yang, Y., & Welch, G. (2014). Contemporary challenges in learning and teaching folk music in a higher education context: A case study of Hua’er music. Music Education Research, 16(2), 193–219. https://doi.org/10.1080/14613808.2013.878324

Yogha Pratama, O., & Ferdian, R. (2022). Penerapan Primary Chord dan Secondary Chord dengan Pendekatan Primary Beat pada Mata Kuliah Harmoni Manual. Jurnal Sendratasik, 11(3), 423. https://doi.org/10.24036/js.v11i3.119309

Downloads

Published

2025-01-30

How to Cite

Yogha Pratama, O., Sabetra, F., Dilfa, A. H., Yusman, A. F., & sari, A. M. (2025). From Classical Repertoire to Piano Accompaniment: Development of a Learning Model Based on the needs of the Music Industry . Jurnal Ilmu Pendidikan Dan Humaniora, 14(1), 20–27. Retrieved from https://journals.ristek.or.id/index.php/jiph/article/view/151